![]() ![]() ![]() Although the culture of commercialism in transnational financial partnerships is volatile and, therefore, the degree to which authorial control and cultural ‘veracity’ are compromised remains unpredictable, a great deal of intra-national cross-cultural collaboration in the creative processes of filmmaking is being undertaken with high levels of mutual respect and considerable awareness of both what differentiates and what connects peoples from different cultures. ![]() This thesis argues that the processes and resulting products of cross-cultural creative collaboration and financial partnerships in fiction filmmaking affect both the output and the very notion of New Zealand national cinema. ![]()
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